Thomas and Thomas are going through a rough patch: they are both thirty-something actors living in Paris. They randomly decide to leave the city and fly away to Kullorsuaq, one of the most remote villages of Greenland, where Thomas' father Nathan lives. Among the Inuit community, they will discover the charms of the local customs and their friendship will be challenged.
Whaling has been around for centuries. It seems to be the fruit of man’s violence, destroying himself by destroying nature. Accompanying the rise of capitalism, the practice survives today, reflecting humans’ eternal destructiveness of nature and the creatures unable to resist them.
Abdellah, a young shepherd living in the mountains, is forced to brave the snow blocking him in order to get food and save this cattle. Once he gets to the village, he faces a supernatural phenomenon.
Alice is a young street girl, she is looking for a place where she can stay...
Max is preparing an architecture and landscape competition for the city of Marseille. He is confident, his project is daring but pioneering. The oral is going well. The garden on this square is finally emerging and with it radical changes for the inhabitants as well as for Max whose career is stalling dangerously.
Mimi has always lived in Douarnenez (Brittany), near her friends and her widowed father. She is a simple young woman who takes life as it comes, even if sometimes life puts obstacles in her way. She works at the cinema Le Club. She was not supposed to, but tonight she has to welcome a young depressive director Gaspard Kermarec. He happens to come from the same town as her, and his film happens to be as depressing as himself.
Unable to cope with grief, Raoul arrives in Marseille, the city of his lost daughter. He finds her old friends, her music band, and even her dealer. But where will this much too intimate quest lead him? And what if music was a scream that could light up his heart?
Under constant pressure from her ex-husband, Nazanin should turn their child - Aban, nine years old - away from a very driven feminine taste. One day, Aban goes to the hospital thinking of undergoing life-changing surgery.
Ulysses, a secluded artist who mysteriously retired a few years ago, meets Mona, a young art student full of life. The encounter will change them both.
Hairdressing salons, or beauty salons, have always been a place where most people feel comfortable to vent and talk about their personal problems. In this documentary by French filmmaker Léa Forest, eight young men, aged between twelve and eighteen, are interviewed in a small French salon, while getting their haircut. With the hair clipper sound as background noise, they talk about girls, first loves, the difficulties they face daily, defining episodes in their lives, as well as stereotypes they admit to embodying as male-identifying persons. It is a brief, yet pertinent, journey that tries to get to know the perspective of these young men, from different backgrounds and walks of life, on the world around them
Pascal Rivière works for the newspaper Mistral. One day, he discovers his death notice in the classified ads section. It's in writing, it's official that Pascal will die at 45.
By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of films jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
Rémi has made a few short films, but they haven't had the resounding success he hoped for. So this year he agreed to give a filmmaking workshop at a high school in the Paris suburbs. As the weeks go by, he and the students begin to form a bond.
Sébastien Betbeder and his actors Thomas Blanchard and Thomas Scimeca gather to imagine the script for the the film they will shoot in a year's time at Kullorsuaq in Groenland - a sequel to Inupiluk.
Thomas, a frustrated reporter who works for a local newspaper in North of France, is assigned to write a portrait of alternative musician and recent mayoral candidate Usé. After the interview, the two men happen upon the inanimate body of a man lying in a desolate alley. To their surprise, the man – Jojo – rises before them like a zombie. He appears to be fine, but has lost his memory. Some clues lead them to Jojo’s little sister Marilou. Through a series of unexpected events, the newfound friends forge bonds and embark upon a surreal journey.
Lost in the middle of the countryside at the wheel of her old Kangoo, Siham is desperate to find that "bloody party". In the back seat, Marguerite and Arthur, aged 15 and 8 respectively, are determined to put her through hell. In this rolling crisis cell, tension builds to a crescendo. Elsewhere, in a gymnasium transformed into a meeting room, a mysterious gathering is taking place.
