Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a portrait of Adolf Hitler. But Marisa's convictions begin to crumble when she meets a young Afghan refugee, and she learns that the black and white principles of her gang are not the only way.
The everyday lives of teenagers, coming from various social backgrounds. For them, sexuality has become a substitute for love, resulting from emotional neglect.
Clemens works as a masseur, Lara as a cook, but their clientele is the same: the guests of a luxury hotel. As sparks begin to fly between the two, his sensitivity clashes with her more fiery temperament—opposites attract, but harmony is nowhere in sight.
Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.
Carla, the runaway with high aims. Lucie, the street girl. Interchanged identities and a shared baby. Collage of a fateful year.
Somewhere in a war zone. Three young stationed soldiers try to distract themselves from everyday wartime existence. One of them takes notice of a local girl. The comrades follow her.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
A young, naive and enthusiastic theater director named Kai comes to a grim provincial town to put on Beckett's Waiting for Godot. Although the lethargic theater company shows no interest in the play, his spirit remains undaunted.Meanwhile, it is fall 1989. The world is changing and somewhere, far away in the capital, a revolution is taking place and it seems that wishes might come true. Great hopes emerge in the little town and unexpected events overtake Kai's mutating production.
It is about a girl's everyday life at the end of her school days, trying to find a way into society and her own life.
Film director Andreas Kleinert belongs to the last generation of filmmakers that emerged in the former German Democratic Republic (GDR). Born in 1962, Kleinert's attitudes were shaped by the late 1970s, and particularly by the 1980s—a period of increasing disillusionment. He wrote his thesis on “Levels of Consciousness in the Film Poetry of Andrei Tarkovsky,” the late Soviet film director who made a name for himself in the pre-perestroika years with bleak films. As Kleinert completed his film academy studies with his graduation film, Leb' wohl, Joseph ( Farewell, Joseph, 1989), the Berlin Wall fell, heralding the collapse of the GDR. Kleinert won the main prize for his diploma feature film, Leb' wohl, Joseph, at the Munich International Festival for Film Schools. The next year, this remarkable black-and-white Kafkaesque film of cryptic symbols and enigmatic metaphors was invited to compete at Locarno.
Inspired by the Edgar Allan Poe story "The Tell-Tale Heart," this is the story of Ed, a middle-aged nervous-laughing insane man who lives in his family manor, and of his plans to murder his elderly demented father and dispose of the corpse.
A sensitively told Encounter between a Turkish migrant worker and a woman from East-Berlin, shortly after the fall of the wall - full of incertainty and situational comedy.
"Frontalwatte" is like running against a hard wall and falling down softly. Franz, Adrian and Anastasia stumble through a pointless world. They kill time by viewing apartments, jaw operations, incest and poetry slams. Their search for identity becomes a search for the best fitting role.
What stops two people from being together? A third one. What stops one person from fighting for another? Nothing. Pedro lives in the suburbs, where he works with his father in a garage. Everyday he takes the bus downtown where he goes to school and meets his friends. It's summertime and they all go down to the river where they spend their free time or even their school time. Among joints, motorbike riding and swimming, everything seems to go well with this group of friends, until the moment when Pedro and his best friend find out that both of them like the same girl. Pedro finds himself inside a downward spiral, where everything around him seems to fall apart. Like a magnet attracts the iron, Pedro seems to attract problems, from the school until his relationship with his parents. This is the story of Pedro, who by having his head being pushed down so much learned how to breathe under water.
A young financial auditor, promoted to his first serious position, soon finds himself following in the fatal footsteps of his predecessor.
A 16 years old boy from Germany runs away from a boring birthday party and follows a few graffiti artists to the station. When police arrives he escapes in a train and gets over the border to the Czech Republic. There he meets a wild Czech girl and falls in love with her. Together they try to go to Berlin without having money. A fine road movie about two young people trying to find their way.
A desolate provincial railway station and six People waiting for the late connecting train to the main station. About itchy feet and the longing of the locked in in October 1989, when the big turn of November was not in sight yet.
Mystery short by Christopher Lenke and and Philip Nauck.
Also known as "Der Wechselbalg." Two parents traveling through the woods mistakenly drop their young baby. By the time they find the child, they are shocked to see it has been replaced with a young troll. Animated short based on the fairy tale by Selma Lagerlöf.
Things aren’t going well for Esteban. His record shop on the outskirts of San Telmo has gone bust. Esteban has had enough. On the bicentennial of Argentina’s independence he decides to call it day and put an end to the shop – and his marriage to Elisabeth. He wants his freedom – for Esteban has fallen in love again.
