Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.
Hnutove, Donbass, eastern Ukraine, 2015. Young Oleg lives in a war zone where anti-aircraft gunshots and missile attacks often resonate dangerously near. Although many inhabitants have already left this dangerous area, he remains with his grandmother, who has cared for him since his mother's death, because they have nowhere to go. They are just waiting for the war to end.
In the years 1958 – 1989, public service monopolies prevailed in Sweden and SVT's reporting from Israel and Palestine was unique. Their reporters were constantly on site in the war-torn area, documenting everything from everyday stories to major international crises. This extensive material is the basis for archivist Göran Hugo Olsson's (Black Power Mixtape 1967-1975, about violence/Concerning Violence) latest film in which images of the rise of the Israeli state are interspersed with Palestine's freedom struggle.
Sara Parkman has, through her very unique expressions revolutionized Swedish folk music and her album Vesper proves a big breakthrough. Yet, there's something about this sucess tale that doesn't feel quite right. The devotion to art can make you feel alone, because as the fire burns strong it also hurts. Now we meet the person behind Sara Parkman's strong stage persona, as a new album begins to take shape based on a topic Sara has long avoided – love.
A broken nose, a disjointed knee and tropical throat flux with months of side effects. Filmmaker Hanna Heilborn challenges herself by deciding to learn how to surf, just before her 40th birthday. She asks a film photographer to follow her on the road. It is not going exactly as she intended.
Beyond the well-known headlines of recent years, there is a constantly ongoing everyday life in the social service that the filmmakers sought out for a few weeks at the social office in Sala. There the entrance door is unlocked and the philosophy is simple: unlocked doors create a good working environment. For a few weeks, the filmmakers Göran Odbratt and JH Engström have been allowed to portray the everyday lives of the staff.
