Asli Films Inc.

A simple story about how loneliness can be distinguished between two household roofs

Silas Fung, a Chinese-American, was a sign designer and painter for Sears in Chicago in the 1930’s. Born into a creative family, he was also an avid painter, musician, church-goer, documentarian and father. After he was married (to Edythe) and had children, he decided to continue his passion for filming by documenting their lives. Over the next two or three decades, he amassed his family’s whole life as they became part of the middle class of America. Meanwhile, in the early 21st century, Ali Kazimi was bidding on an online auction for some 16mm nitrate film cans with Silas’ name on them. After winning them and starting the process of cleaning them up, he was contacted by a lady who was bidding on another lot of Silas’ films and wanted to know who had won the second lot. From there, Kazimi began to interview Silas’ daughter, Irena Lam, and other Chinese-American people who grew up at the same time as Irena as well as experts in Sino-American culture.

“This is the story about a ghost people who live in a ghost territory.” Thus begins this richly documented history of the struggle for recognition of the Sinixt, one of Canada’s indigenous peoples. While other indigenous peoples have legal rights, the Sinixt have none, because they are officially extinct. But the fact is they’re still there.

In this film, Rakel Dink reads a letter which she wrote to her husband to the angry crowd that attended Hrant Dink's funeral. Her speech left a lasting mark on our history. The film commemorates this moment with the cinematographic method of animated narration.