In the 16th century in the Cévennes, a horse dealer by the name of Michael Kohlhaas leads a happy and prosperous family life. When a lord treats him unjustly, this pious, upstanding man raises an army and puts the country to fire and sword in order to have his rights restored.
A girl is approached by a strange boy outside her high school. He asks her to follow him to hear stories where gods fall in love with human beings.
There's drama aplenty for the travelling theatre company Chekhov Cabaret. The actors share the good times and the bad as a nomadic tribe where work and private life always mingle. They don’t mince words, these obstreperous actors with a sardonic sense of humour. Theatre always comes first.
More than just an abbreviated form of "La Belle Noiseuse", Rivette re-cut his footage with some important differences in point of view - this one being more from Marianne's point of view
Where do images come from? This disturbing and essential question is posed by Philippe Grandrieux, and he already imposed it on himself the start, via Sombre (1999) up to the portrait recently devoted to Masao Adachi (FID 2011). From where, then? Maybe from the depths behind our eyes, ungraspable visions, night in suspension, promise of the end of an eclipse, between dream and nightmare. This is the start (and in truth the programme) of White Epilepsy. In a darkness barely broken by light, a mass advances: a nude back, in a long shot entirely centred on the shoulders.
After a missed burglary, deux young cads take refuge in a retiring-pension sowing terror. On the call of one of the pensioners, the police catch them. But some of the old people are puzzled by their situation and decide to ask about them...
