A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.
On her wedding day, Adrian, nervous, make a small mistake that aims to hide Leonora, his girlfriend, to avoid problems. But far from avoiding them, complicates the matter and the party runs the risk of end badly, like the future marriage of the couple.
A separated yet self-sufficient craftswoman puts up a friend who is also separating. The hostess has three teenage children, and the arrival of her guest will interfere with their domestic harmony, apart from slowly but surely causing a hormonal surge in one of the boys.
When the beautiful Leonor arrives at the architecture studio Borla y Asociados looking for Nelson Jara, both Mario Borla and his partner Marta Hovart and Pablo Simó, the building's oldest architect, claim to ignore that name completely. But they all lie. The truth begins to unravel through the memories of Pablo Simó. Pablo should carry out the unpleasant job of dealing with Nelson Jara, an indignant owner of the building adjoining a work of the studio, damaged by a crack in the wall of his living room caused by an error in the construction. But the fear and nervousness that provokes in the three involved the arrival of Leonor and her question "what happened to Nelson Jara?" Show something much darker and more suspicious. (FILMAFFINITY)
Ezequiel is a film music composer that can't find the inspiration he needs to compose a new score and Paula is a pregnant woman recently abandoned by her boyfriend whose mother has just came from Spain to meet her husband. Together they will try to solve their problems.
The lives of Alma (Araceli Gonzalez) and Leo (Pablo Echarri) did not seem destined to cross. She, a baker in the mouth, with her family and her boyfriend Mario since adolescence. The, an architect with secure wedding date with Valeria. One night, fate brought them together and this unexpected encounter will not go unnoticed. Both Alma and Leo not be fidgety to what happens between them.
Unable to have kids of their own, Cecilia and Diego get a call from the adoption agency they registered to, some time ago. The sudden arrival of Joel, a 9 year old with a very hard backstory, will change the course of their lives.
A methodical man falls for a pregnant woman with a very particular life story.
Felipe, an aspiring actor, believes he is jinxed after an unfortunate event. His struggle to find the cause and cure of his jinx. His half-brother is not doing much better, but among the two of them embark on a mission to change their lives and fulfill their father's dream.
Buenos Aires. It rains. Alma is in her car, stuck in Buenos Aires' traffic. She has recently broken-up with her boyfriend, and she has been living in her little car since then. Suddenly, Roberto gets into the car. He's wet and hurt, he's tired of the rain, of broken dreams. He has come back after thirty years abroad. In this new city he has nothing and nobody, just a father in coma, whom he has no relationship. He promises to leave the car as soon as the rain ceases. Alma, not knowing exactly why lets him in. That night will be different. And the next few days too. There's something new to find in the depth of their hearts.
A romantic comedy about a neurotic girl who makes a vow of solitude after getting dumped.
The film is about three friends in Buenos Aires: Paco, Salvador and Dino, going through their common history at three moments in their lives: the years '76, '89 and 2003.
Julio and El Polaco, in distant years, were inseparable friends in their hometown, near Necochea. The life of the first was governed by obedience to his mother, the despotism of his uncle and a style of honesty. El Polaco, on the other hand, was closer to marginalization and violence. Julio, turned into a businessman, takes root in the United States. The Pole continued his course in the place of those sometimes very cruel antics.
