Shqipëria e Re

An old gardener tends for the flowers during the war. Nazis ask him for flowers for their dead.

Spectacular film by successful director Dhimitër Anagnosti. Three people, Sergeant Rahmiu (Ndrek Luca), Islam (Reshat Arbana), and Bepini (Bujar Kapexhiu) hijack a military ship to emigrate to Italy. Along the way they encounter opposition in the sailor Skender Guri (Rikard Ljarja), who wants to turn the ship back to Albania. 4 people representing different layers of the postwar Albanian society merge and collide offshore, unfolding the political conflicts of that era.

Olga's decision to live with her daughter Meli, who works as a doctor assistant, in a remote village turns into situations full of vicissitudes. After an entire trade fair of correspondence to find a groom from the city, Olga presents Koçi to Mili, who pretends to be a true artist. But Meli has fallen in love with Bujar, and doesn't seem to want move away from the village.

In 1968, Horizonte Te Hapura, directed by Viktor Gjika, one of the pioneers of Albanian moviemaking, broke new ground. Its subject matter was contemporary, rather than being a historical piece or an action drama set among the partisans of World War II. In the story, a dockworker sees that a crane, a crucial piece of shipyard equipment, is being endangered by a violent storm, and despite considerable danger to himself works to save it. ~ Clarke Fountain, Rovi

The film is based on and develops the subject of a well-known legend of a sacrifice in the Rozafa castle, as a free interpretation of what people have preserved for centuries. Three married brothers decide to sacrifice in the castle the wife of whom will bring the lunch, so that the wall will not collapse once again on the ground.

After Mato Gruda, a man living in a remote village in the mountains of Albania, steals a cannon abandoned by the German invaders he has to decide whether to use the weapon to support the Partisan resistance or to avenge his family.

Luka and his wife are transferred in a northern city. In their first trip, their car gets stuck in the snow.

A teacher in a remote village gets hindered by zealot members of the community who still believe in old superstitions.

"Pas vdekjes" is a 1980 Albanian black comedy film directed by Kujtim Çashku, based on the works of A.Z. Çajupi.

The committee led by Çerçiz Topulli, Mihal Grameno and Hajredin Tremishti return to their village and assassinate the Turkish officer of Gjirokastra. Afterwards, the Ottoman army starts a campaign against the province of Mashkullorë, which became a symbol of Albanian resistance and fight for freedom.

Petrit works as a cleaner in the Ministry of Internal Affairs during the fascist occupation of Albania. There, he learns many secrets and helps the resistance with inside information.

A satirical film about bureaucracy.

Musical film. A young couple is getting married. While going to the bride's house, the husband and his family go through several cities, which are getting ready for the folklore concert of Gjirokastër.

An old man refuses to undergo an operation in the hospital because he does not trust the abilities of the female surgeon.

Beni is an eight-year-old boy living in Korçë with his parents and leads a sheltered life. His mother is very protective and doesn't let him play outside. When Beni is able to go outside, the neighborhood children make fun of him. One day when his uncle Thomai is visiting, he sees Beni crying after the other children took his horse. Thomai decides to take Beni on horseback to a distant village where he teaches him about life and how to be a man.

Early years after the war. The bourgeoisie is falling, and they are being taxed for their profits during WWII. Abdyl is an accountt who helps the bourgeoisie and fascist collaborators by hiding their gold in his home and manipulating documents.

Hëna, who works in a construction site, falls in love with another worker, Agim.

Children get ready to start the first grade. They start learning the first letters.

A successful doctor comes into conflict with his friends and family and is slowly driven towards suicide.

It is a cine comedy following "The Lady from the town". Olga is getting ready to go to a meeting of the district women activists, where she will relate her own experience in the struggle against conservative concepts. During a warm atmosphere, Olga sings the first lullaby to her newborn nephew: "Once upon a time there was an Olga who posed as a lady.Time passed by and the lady has become one of us, a comrade from the country"