Hannie Caulder

Hannie Caulder 1971

6.20

Hannie enlists the aid of bounty hunter Tom Price to teach her how to be a gunfighter so she can hunt down the 3 men who killed her husband and raped her.

1971

The Blood on Satan's Claw

The Blood on Satan's Claw 1971

6.10

The accidental unearthing of Satan’s earthly remains causes the children of a 17th-century English village to slowly convert into a coven of devil worshipers.

1971

Witchfinder General

Witchfinder General 1968

6.40

England, 1645. The cruel civil war between Royalists and Parliamentarians that is ravaging the country causes an era of chaos and legal arbitrariness that allows unscrupulous men to profit by exploiting the absurd superstitions of the peasants; like Matthew Hopkins, a monster disguised as a man who wanders from town to town offering his services as a witch hunter.

1968

Zeta One

Zeta One 1969

3.88

Women around the globe begin disappearing when a renegade race of top-heavy aliens from the planet Angvia begin snatching them off the streets.

1969

The Creeping Flesh

The Creeping Flesh 1973

5.82

A scientist comes to believe that evil is a disease of the blood and that the flesh of a skeleton he has brought back from New Guinea contains it in a pure form. Convinced that his wife, a Folies Bergere dancer who went insane, manifested this evil he is terrified that it will be passed on to their daughter. He tries to use the skeleton's blood to immunise her against this eventuality, but his attempt has anything but the desired result.

1973

Virgin Witch

Virgin Witch 1972

4.50

Christine gets her big chance at modelling when she applies at Sybil Waite's agency. Together with Christine's sister Betty they go to a castle for the weekend for a photo shoot. Sybil has lured Christine to the castle for more than modelling: she is recruiting a virgin for induction into a witch's coven, led by the owner of the castle, Gerald. To their surprise, Christine is more than eager to join the coven, but begins her own secret battle for control.

1972

Curse of the Crimson Altar

Curse of the Crimson Altar 1968

5.30

When his brother disappears, Robert Manning pays a visit to the remote country house he was last heard from. While his host is outwardly welcoming - and his niece more demonstrably so - Manning detects a feeling of menace in the air with the legend of Lavinia Morley, Black Witch of Greymarsh, hanging over everything.

1968

Au Pair Girls

Au Pair Girls 1972

4.40

Four sexy young foreign girls come to England as au pairs and quickly become quite intimate with their employers, host families, and just about everyone else they encounter.

1972

The Nude Vampire

The Nude Vampire 1970

4.81

A young man falls in love with a beautiful woman being chased by sinister masked figures at night. He tries to track her down, and learns she's being held captive by his father and colleagues who believe she's a vampire.

1970

Black Beauty

Black Beauty 1971

6.00

Anna Sewell's classic 1877 novel beautifully comes to life in this family drama set in England. Told from the point of view of Black Beauty himself, the story sheds light on the details surrounding the colt's birth and his perception of humans (he has various owners throughout his life). While some owners are compassionate -- none more than Joe Evans (Mark Lester), the boy who first owns the colt.

1971

The Body Stealers

The Body Stealers 1969

4.90

A British military paratrooper disappears in mid-air during a jump from an army plane. Two investigators, Patrick Allen and Neil Connery, try to unravel how this happened. What they uncover is an alien plot to steal the bodies of earthlings by snatching them out of the air.

1969

The Blood Beast Terror

The Blood Beast Terror 1968

5.50

A Scotland Yard Detective must investigate a series of murders perpetrated by a giant blood-sucking moth that can take human form.

1968

The Beast in the Cellar

The Beast in the Cellar 1970

4.70

Two spinsters have kept their mad brother locked up in their cellar for 30 years. Then he escapes ...

1970

The Sorcerers

The Sorcerers 1967

6.10

The great hypnotist Professor Montserrat has developed a technique for controlling the minds, and sharing the sensations, of his subjects. He and his wife Estelle test the technique on Mike Roscoe, and enjoy 'being' the younger man. But Estelle soon grows to love the power of controlling Roscoe, and the vicarious pleasures that provides. How far will she go, and can the Professor restrain her in time?

1967

Doomwatch

Doomwatch 1972

6.00

The waters surrounding an island become contaminated by chemical dumping, and people who eat fish caught in those waters become deformed and violent.

1972

The Haunted House of Horror

The Haunted House of Horror 1969

4.80

Teenagers gathered in an old mansion are being murdered one by one. The survivors must discover who among them is the killer before he finishes off everybody.

1969

What's Good for the Goose

What's Good for the Goose 1969

6.00

Timothy Bartlett (Norman Wisdom) is a middle-aged banker who is sent to a seaside resort for a banker's convention. He fears the meetings will be frightfully dull, but things change when two amorous hippie girls take Timothy for a sail on the sea of love. Timothy goes middle-aged crazy, making a spectacle of himself in hippie clothes as he tries to fit into the swinging scene. Nude dips in the ocean are followed and preceded by wild parties as he tries to recapture the days of his flaming youth. After he feels remorse and embarrassment over his behavior, he calls on his wife to join him at the convention to rekindle their love in this lowbrow comedy. The British rock group The Pretty Things provides the music.

1969

The Magnificent Seven Deadly Sins

The Magnificent Seven Deadly Sins 1971

5.10

The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..

1971

Neither the Sea Nor the Sand

Neither the Sea Nor the Sand 1972

5.10

Recovering from a failed marriage, Anna Robinson retreats to the haunting, eerie climes of the Isle of Jersey, where she finds fulfillment in an affair with lighthouse keeper Hugh. But when sudden death strikes, Anna finds herself inconsolable and longs for the arms of her lover... who unexpectedly returns from the dead, with a few macabre changes awaiting them both.

1972

Sandy the Seal

Sandy the Seal 1968

4.50

When a lighthouse keeper takes in a seal in need and gives to his children to look after, the whole family is drawn into the shadowy world of illegal seal poaching. The family then finds themselves leading the fight to rid their coastal town of the criminals and save the seals.

1968