Fondo Nacional para la Cultura y las Artes

Ziuta, Polish, Jewish and survivor of the Second World War, was an extraordinary woman who aroused special devotion. Her political commitment and participation in supporting the clandestine struggle, beyond being a virtue, were a direct and almost biological part of it. Ziuta had the determination, being just a teenager, to resist exile with fortitude, saving her mother and another family from perishing in flight. Despite the horrors and hardships, she maintained a grateful attitude toward life. These characteristics, and her particular sense of humor, permeate her story, even in chapters with painful themes: the death of her father, her madness; her suicide attempt in the Caspian Sea and her decision to come to Mexico, where she rebuilt her life and lived with artists, writers, dancers and filmmakers at a time of great cultural effervescence in the country, even participating as an actress in some films. .

Based on Elena Garro's short story, it's a story where love and loneliness are linked through a hotel room, where a woman awaits for an old and impossible love.

The creation myth is adapted into an animated short film made by Seri indigenous children and elders.

In the vicinity of Tajín, several schools teach the art of the Papantla Flyers, attended by Dana, Said, Jairo, and Sarahí. These four children introduce us to the magic of this Totonac dance. As they train to become flyers, they share legends of how new generations can fly and save the region from drought. To achieve flight, they must overcome fear, practice discipline, and keep dreaming like all children.

This is a movie built from impericia, from misunderstanding, from surprise and mutual amazement; it is a film that reflects on the idea of community, the relationship of mankind with the environment in which nature, beasts and human beings depend on each other to continue inhabiting a barren land.

The inspiring life and untimely death of a Mexican artist who, ahead of her time, saw the darkness in the light of the screen and responded by transforming it into art.

Camila and Abril grew up together in a small town on the coast and are best friends. There's an obvious and uncomfortable attraction between them. April's family will move to the city, their paths will have to separate forever.

Ana is running away from her hometown while Mar, an old acquaintance of hers, is coming back after a long absence. They find each other in the middle of the road and through the night, they make a journey amongst their fears to find out that still waters run deep.

The sky was covered with clouds and no one knew why the sun no longer rose in the morning. That night someone managed to enter the hacienda to try to put an end to that strange spell.

I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.

A strange man appears after an accident in an abandoned highway in the Mexican desert, he’s rescued by a fighting cocks trainer and his grandson, who helps him recover. The man begins to perform healing miracles around the ejido, so he starts being called a Prophet. The priest of the community and the altar boy oppose his stay in the community of this uncomfortable resident.

A mysterious skeleton appears in a mexican neighborhood.

The isolation of Adela and Marcelino is common among many inmates processed without an interpreter in their native language before the Mexican justice system. Through their subjective experience, the dreams and memories they preserve of their lands in prison, they express in two voices the disorientation and the need to resist against exclusion by telling their story.

This is a series of studies filmed in 8 and 16mm about how self-exile develops a familiar and foreign perception about home.

A romance between the painters and writers: Dr. Atl and Nahui Olin arises in this era, the 20's, while Jose Vasconcelos founded the Ministry of Education and call all the intellectuals of the country for this project. Mr. President Alvaro Obregon, who feels devotion for the intellectuals allows one of the most important cultaral crusades of our history. In this liberal atmosphere where gays, the divorce, the vote for women, began to be accepted, several of our protagonists are given in love within a whirl of ideas, passions, political and ideological propositions.

Mary travels from Honduras to the United States looking for her son, a migrant kidnapped in Mexico. Francisco, the dean of the Pesh community, fights against the extinction of the tropical forest. Both struggle against disappearance.

In 2016 the Mexican District Attorney secretly buried more than 100 murdered bodies during the war against drug trafficking. They kept it hidden until a group of women, mothers, discovered it while searching for their missing children. One of them retrieves the body of her brother. "To See You Again" narrates the participation of Mexican women as they exhume what remains of the corpses and learn about forensic work. They help us discover the crimes committed by the state when burying the bodies.

The community of Ayapa struggles to keep their language alive. Through the memories of their elders, this documentary tries to reconstruct the town's history.

This is the story of a hungry opossum who is captured while trying to find food. He manages to escape and continues his search, although what he really finds is a long-lasting friendship.