Twenty years removed from Alice Barlow's murder by a thief looking for her jewels, newlyweds Paul and Bella Mallen move into the very house where the crime was committed. Retired detective B.G. Rough, who worked on the Barlow case, is still in the area and grows suspicious of Paul, who he feels bears a striking resemblance to one of Barlow's relatives. Rough must find the truth before the killer can strike again and reclaim his bounty.
During the Allied Bombing offensive of World War II the public was often informed that "A raid took place last night over ..., One (or often more) of Our Aircraft Is Missing". Behind these sombre words hid tales of death, destruction and derring-do. This is the story of one such bomber crew who were shot down and the brave Dutch patriots who helped them home.
Set just before the outbreak of WWII, this is the story of a test pilot who works for the (unnamed) enemy. Made in 1939, by the time it was released in 1940, war had been declared.
Eccentric Cambridge archaeologist Horatio Smith takes a group of British and American archaeology students to pre-war Nazi Germany to help in his excavations. His research is supported by the Nazis, since he professes to be looking for evidence of the Aryan origins of German civilisation. However, he has a secret agenda: to free inmates of the concentration camps.
A retired general helps out by sheltering some evacuees during WWII.
Three older sisters live on their family estate in Wales. This household once proudly reigned over a mining town, but the mines dried up and the estate and the town have fallen on hard times. When the land crumbles and a number of homes in the town are destroyed the sisters promise to rebuild the homes.
The Agitator is a 1945 British drama film directed by John Harlow and starring William Hartnell, Mary Morris and John Laurie. Its plot follows a young mechanic who unexpectedly inherits the large firm where he works and tries to run it according to his socialist political beliefs. It was based on the 1925 novel Peter Pettinger by William Riley.
When she learns that the Nazis have confiscated Leonardo da Vinci's masterpiece Mona Lisa, art-loving South American wanna-be spy Tamara (Jane Carr) journeys to Lisbon to snoop for the Germans in return for the iconic painting. But bumbling Nazi agents, Allied counterspies and multiple copies of the artwork soon confound her attempts at espionage.
The Common Touch is a 1941 British drama film directed by John Baxter and starring Geoffrey Hibbert, Harry Welchman, Greta Gynt and Joyce Howard. On the death of his father, an eighteen-year old lad leaves school to take over the family firm in the City of London. Realising the other directors want to keep him in the dark he starts asking questions, and is soon undercover as a down-and-out in a hostel which will disappear if a company building project goes ahead.
A French PR man and his girlfriend steal a lottery ticket from twin trapeze artists, prompting murder.
Charters and Caldicott are touring the Middle East. After visiting Saudi Arabia they find themselves in Bagdad where they are mistaken by a group of German spies for the messengers who are to carry a song record by beautiful singer La Palermo which contains secret instructions of the German Intelligence. Realizing their error, the German spies follow Charters and Caldicott to Istanbul and Budapest, trying to eliminate them and retrieve the record.
Tom Masterick, a dock worker, is wrongfully convicted of a murder charge. His death sentence is commuted to a long prison term. When released as an old man, he vows to find the real killer.
Small-time jewel thief Leo Martin is deserted by his partners-in-crime, club owner Gus Loman and driver Hatchett, when the robbery they are committing goes wrong. After serving his prison sentence, Leo emerges with an intricate plan for revenge. Leo implicates Loman, as well as his amoral boss, Gregory Lang, for murder -- but Inspector Rogers suspects Leo.
Following an argument with his co-star during the rehearsals for a new stage show, famous singer Richard King walks out of the theatre, still wearing his ragged stage costume. Mistaken for a beggar, he’s taken in by a pair of street entertainers and joins their act incognito.
When a neutral Danish merchant ship is forced to put into port after trying to evade British wartime contraband control, its captain becomes involved in a beautiful British Naval Intelligent agent's efforts to capture a group of German spies operating from a London cinema.
Bedelia Carrington is living happily, it appears, in Monte Carlo with her husband Charlie Carrington. But a cultivated young artist, Ben Chaney, begins probing into her past with curious concern. Chaney, who is really a detective, learns that Bedelia's obsession for money has led her, in the past, to husband-poisoning for the insurance money.
During the Second World War, a German spy goes on the run, carrying important news about a U-Boat campaign. The ship he is traveling aboard is hit by a torpedo. The spy winds up on a lifeboat with other survivors, one of whom is a counterintelligence agent who reveals the German spy's true identity.
Set in Claverly Village, it follows the fortunes of the Rookebys (Clements) and the ne'r-do-well Appleyards (Williams) from the time of the Normans, 1588, 1804, 1914, and 1940. Made to support morale during the war, its message is basically that you can't suppress the British; they've been there since the beginning; they'll be there to the end.
Depressing and realistic family drama about the struggles of unemployment and poverty in 1930s Lancashire. The 20-year-old Kerr gives an emotionally charged performance as Hardcastle, one of the cotton workers trying to make life better. Interlaced with humour that brings a ray of sunshine to the pervasive bleakness, this remains a powerful social study of life between the wars, and was a rare problem picture to come out of Britain at the time.
During World War II, the Canadian Navy gathered a troupe of diverse performers (dancers, comedians, singers, musicians) from its ranks and sent them off to entertain their shipmates, and the show/revue ultimately played London's Hioopodrome. The acceptance was based more on wartime-London's appreciation of the gallantry of Britain's sons and daughters from over the seas than it was on the artistic value of the show or the talent of the performers. The film is a fictional/fact mixture of the adventures of the troupe members, and the ending, only part filmed in Technicolor, is primarily the Revue as seen at the Hippodrome.
