Love Strange Love

Love Strange Love 1982

5.60

A man remembers forty-eight crucial hours in his life when, as a child, he visited his mother, the favorite woman of an important politician, in a bordello owned by him, right before some important political changes in 1937 Brazil. In those hours, he discovers his own sexuality.

1982

They Don't Wear Black Tie

They Don't Wear Black Tie 1981

8.20

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

1981

Pixote

Pixote 1980

8.00

10-year-old Pixote endures torture, degradation, and corruption at a local youth detention center where two of its members are murdered by policemen who frame Lilica, a 17-year-old trans hustler. Pixote helps Lilica and three other boys escape and they start to make their living by a life of crime which only escalates to more violence and death.

1980

Avaete, Seed of Revenge

Avaete, Seed of Revenge 1985

4.60

Little Indian boy survives his tribe massacre, growing up together with his wish for revenge and his quest for his own identity. Based on a true story.

1985

Lady on the Bus

Lady on the Bus 1978

5.40

Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.

1978

Sermões: A História de Antônio Vieira

Sermões: A História de Antônio Vieira 1989

5.80

Based upon the life story of Father Antonio Vieira, born in Lisbon in 1608 and deceased in Salvador, Bahia, in 1697. He's considered the first Brazilian writer and one of the most important aesthete of linguistic and of the Portuguese language of all times, a master in the art of metaphor, of verbal relations and analogy. He was persecuted and condemned by the Portuguese Court of Inquisition due to his position against native slavery, against the intolerance to the Jewish people and to the colonial politics of exploration.

1989

The Man That Was Turned Into Juice

The Man That Was Turned Into Juice 1980

7.30

Deraldo, a popular poet from Northeast Brazil, arrives in the capital of São Paulo, making a living only from his poetry and pamphlets. All is well until he is mistaken for a multinational worker who killed the boss at a party where he received the title of symbolic worker.

1980

Os Trapalhões na Terra dos Monstros

Os Trapalhões na Terra dos Monstros 1989

5.50

In a television program Angelica (Angelica), the daughter of a businessman who aspires to be a singer, eventually earning his "crazy dream", which is recording a video clip at the top of Sugar Loaf in Rio de Janeiro, with the Domino Group . The father forbids it to go, so she runs away with her boyfriend to the Sugar Loaf. When her father learns commands Didi (Renato Aragão), Dede (Dede Santana), Mussum (Mussum) and Zechariah (Zechariah) to think in three days or call the police. Trying to find her, the quartet falls into a hole in the Sugar Loaf which is populated by strange creatures, some good, the Grunks, and some bad, the Barks.

1989

Os Saltimbancos Trapalhões

Os Saltimbancos Trapalhões 1981

6.81

Humble officials, friends Didi, Dedé, Mussum and Zacarias become the great attraction of the circus Bartolo, thanks to its incredible ability to make the public laugh. But success has a price: the opposition of the magician Assis Satan and the greed of the Baron, the owner of the circus. Together, the four friends will have to fight them.

1981

Eros, the God of Love

Eros, the God of Love 1981

5.00

A man explores the process of formation of sexuality and is looking for a woman that does not exist.

1981

Gaijin: A Brazilian Odyssey

Gaijin: A Brazilian Odyssey 1980

5.93

Based on fact, this is the story of the struggles of Japanese immigrants who traveled to and settled in Brazil looking for a better life.

1980

The Princess and the Robot

The Princess and the Robot 1983

7.50

Lord Raider and an endearing little robot companion reside in the far-off realm of Planet Carrotland. As fate would have it, a cosmic spark from the radiant Pulsar star strikes the robot just as he becomes smitten with Princess Mimi, a charming pink bunny. However, their newfound love faces a significant obstacle when the king decrees a grand tournament in the kingdom, intent on determining who shall earn the honor of marrying the Princess.

1983

The Seven Kittens

The Seven Kittens 1980

6.00

Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their three elder daughters. The youngest one, virginal Silene, is unexpectedly sent back home. Noronha discovers she has been expelled from boarding school for having killed a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.

1980

Anchieta, José do Brasil

Anchieta, José do Brasil 1977

6.00

Life and death of the jesuit who fought for the peaceful relationship between colonists and the indigenous peoples of Brazil.

1977

Invitation to Pleasure

Invitation to Pleasure 1980

6.70

Two friends discuss their love adventures, and the emptiness ensuing each new conquest.

1980

Iracema

Iracema 1975

7.60

A girl from the countryside goes to the city of Belém to take part in the Círio de Nazaré celebrations. Led to prostitution, she wishes to move to the wealthiest Southeast region of Brazil. In a dance club, she meets a truck driver that transports wood. Dreaming with the big city, she asks for a ride, and the two begin a journey through the Trans-Amazon road. In tension with the Brazilian military authorities of the time, the film registers several aspects of the Amazon social tragedy – forest fires, slave work and child prostitution. Awarded in several international festivals, the film was forbidden by the Brazilian censorship. It was only released years later, winning the Brasília Film Festival in 1981.

1975

Eu Dou o Que Ela Gosta

Eu Dou o Que Ela Gosta 1975

1

A young couple uses creativity to escape the rules of the girl's father, a conservative Italian, and her grandmother. Even under the patriarch's watch, the roguish boyfriend manages to fulfill his desires.

1975

Nos Embalos de Ipanema

Nos Embalos de Ipanema 1978

4.70

Toquinho is a young man living in Marechal Hermes, a poor neighborhood in Rio de Janeiro, together with his widow mother and a younger sister. Although he is poor, he is also ambitious, and wants to change his life. He spends all his time on the beach, at Arpoador, Ipanema, where he dreams to become a famous surfer. Besides, he usually finds Patricia there, a rich and liberated young woman, whom he likes a lot. To impress Patricia and satisfy some of her wishes, he lets himself be seduced by André, a gay guy who, in return for his sexual favors, promises him a trip to Hawaii for a surf championship.

1978

O Trapalhão na Arca de Noé

O Trapalhão na Arca de Noé 1983

3.80

Duda is a zoo cleaner. He and his friend Kiko and Zeca are actively engaged in an animal protection group. For this reason, they are summoned by mystic Noé to fight animal hunters in the Pantanal region, in Brazil, who are after animal skins and furs, and are led by the mean Morel. They accept the mission and, on their way, meet archaeologist Marcos and photographer Carla, who are in search of a lost pyramid built by the Phoenician. Together, they try to beat the hunters.

1983

Quilombo

Quilombo 1984

6.50

Quilombo dos Palmares was a real-life democratic society, created in Brazil in the 17th century. This incredibly elaborate (and surprisingly little-known) film traces the origins of Quilombo, which began as a community of freed slaves. The colony becomes a safe harbor for other outcasts of the world, including Indians and Jews. Ganga Zumba (Toni Tornado) becomes president of Quilombo, the first freely elected leader in the Western Hemisphere. Naturally, the ruling Portuguese want to subjugate Zumba and his followers, but the Quilombians are ready for their would-be oppressors. The end of this Brave New World is not pleasant, but the followers of Zumba and his ideals take to the hills, where they honor his memory to this day. Writer/director Carlos Diegues takes every available opportunity to compare the rise and fall of Quilombo with the state of affairs in modern-day Brazil.

1984