On the night of August 24, 1944, the fate of Paris rests with General von Choltitz, who plans to destroy the city on Hitler's orders. As the general prepares to detonate explosives throughout the capital, Swedish consul Raoul Nordling uses diplomacy in a desperate bid to convince him to defy the orders and save Paris.
Conrad Lang, a handyman in a rich family - he has been raised like a brother with Thomas, who has the same age -, accidentally puts fire to the big holiday house he keeps. He returns to the town he grew up in, to the family home, where Philippe, Thomas's son, and Simone are getting married. Conrad's frequent memory loss and behavioural problems rapidly reveal a neurological disease (Alzheimer's is suggested by doctor Cohen when he examens Elvira) which leads Elvira, Thomas's stepmother, to install Conrad in a guesthouse on the property, with the help of a nurse. When Conrad looses more and more his landmarks in present and past, memories of his youth come back to surface. They intrigue Simone, since these memories do not entirely fit together with the official family history...
Libby Spears goes undercover in southeast Asia to infiltrate the vast network of people involved in human trafficking (specifically, sex slaves), and discovers that not only are a significant number of its victims children, but also that the United States is one of the industry's biggest customers. When she returns home to learn more, she discovers the roles that the educational system and law enforcement have played in keeping the issue off the radar.
Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.
Since the outbreak of the global corona pandemic, the number of anti-Semitic content on the Internet and social media has also been increasing. Researchers see a connection between online radicalization and anti-Semitic violence – and also attacks. "Jud Süß 2.0" documents the visual roots of this new anti-Semitism.
West Germany in the 1970s. Many artists, journalists and intellectuals were branded as sympathizers of Baader-Meinhof's left-wing terrorism. The parents of the director, too: Margarethe von Trotta and his stepfather, Volker Schlöndorff. With extensive archive materials and film clips as well as Margarethe von Trotta's private diaries the film portrays one German family and the society of the time.
The film takes a look back at four years of German occupation in France during the Second World War. At that time, the Nazi regime collaborated with French ultranationalists. The film shows how an occupying regime, in addition to terror and oppression also functions through seduction, ideological offers and cooperation between the elites.
Anti-Semitism is on the rise worldwide, driven to new extremes by the COVID crisis. This film documents the visual roots of this new anti-Semitism, taking a historical look at the visual propaganda of the Nazis.
Though almost forgotten today, Veit Harlan was one of Nazi Germany's most notorious filmmakers. His most perfidious film was the treacherous anti-Semitic propaganda film Jud Süß - required viewing for all SS members. This documentary is an eye-opening examination of World War II film history as well as the story of a German family from the Third Reich to the present; one that is marked by reckoning, denial and liberation.
