Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.
As word spreads that there is a serial killer at large who continues to commit murder, an off-duty police officer must return an elderly witness who lives in a remote part of Uganda back to town. Along the way, the policeman gives a ride to an injured man. On the way to the city, the passenger tells the policeman the events that led him to end up injured in the middle of the road. But as we travel with these mysterious characters in the car, director Loukman Ali shows us that the stories they tell are only fragmentary and partial versions of the events that took place, and that perhaps there are truths buried beneath each of their words.
Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.
Jo, a witty 9-year old terminally ill girl is taken back to her rural village to live out the rest of her short life. Her only comfort during these dull times are her dreams of being a superhero, which prove to be something her rebellious teenage sister Mwix, overprotective mother Kathryn and the entire village of Maweni think they can fulfill.
Eleven-year-old Aisha wants to fish for a living, but her mother thinks that fishing should be left to men. Aisha’s life transforms when fisherman Hassan decides to teach her how to fish.
The stakes escalate in a longstanding conflict between Indigenous pastoralists and white landowners in Laikipia, Kenya, as unresolved historical injustices and the impact of climate change come to the forefront.
For a decade Kenya has been targeted by terrorist attacks of the Al-Shabaab. An atmosphere of anxiety and mistrust between Muslims and Christians is growing. Until in December 2015, Muslim bus passengers showed that solidarity can prevail.
A coming-of-age political love story set in the final years of British colonial Zanzibar. Denge, a young freedom fighter meets Yasmin, an Indian-Zanzibari woman in the middle of the night as she is on her way to be married. Passion and revolution escalate.
A local company owned by a shrewd millionaire, Thabiti, offers young people the opportunity to find work abroad. Mvera, a self-centred woman who is on a mission to search for her lost mother, and also one of the applicants, soon discovers they are all trapped in an organ trafficking ring. She is forced on a hero’s journey as she tries to make it back home to warn the villagers about Thabiti.
Bahasha is the story of Kitasa, an elected public official who betrays his family, friends and community when he takes an easy bribe. He learns the hard way and must now find the road to redemption.
When Kev, a super talented footballer's dream come crushing down, he is left with no choice but to join the criminal world. In the process of trying to win the battle, he loses the war.
Since 2008, albinos in Tanzania have become human targets. Witch doctors offer huge sums of cash for their body parts to be used in magic potions. From 2008 to 2010, more than 200 witch-doctor inspired murders occurred. As a local saying goes: “Albinos do not die, they just disappear.” This is the story of Alias, an albino boy on the run. After his father’s murder, his mother sends him to the city. His uncle Kosmos, a truck driver, takes care of him. Alias learns fast in the city, selling sunglasses, DVDs and cellphones, it will not take long before the boy experiences at first hand the difficulties of life and of being different.
Mashoto’s life in the city is a hustle. It’s a fast life in the fast city of Dar es Salaam. There’s no time to stop and Mashoto likes it this way. There’s no time to think about the people he left behind in the village. Until silence cuts through the city racket with three words: mother has died. With those words Mashoto’s life changes forever. He returns home, to the place he abandoned, to bury his only ally. Yet his mother has left behind a gift. Her voice, her unseen presence, a gentle whisper urging him to open his eyes and strain his ears- to learn the lessons of nature, of the earth and the roots that draw their nourishment from it. Cast out by his father after losing the little money his mother had left, Mashoto must learn to survive from the land. He must learn to face old enemies and forge new alliances, to fight and to love. Most of all, Mashoto must discover what it is he is fighting for.
A university student looks for a way to make quick and easy money and finds out that its not as easy as he imagined.
Nawi is a Kenyan film that explores the intricate themes of love, identity, and cultural heritage, set against the vibrant backdrop of modern-day Kenya. The narrative centers on a young woman who is caught between the traditions of her upbringing and the pressures of contemporary life. As she confronts the weight of familial expectations and the pull of her own dreams, she embarks on a transformative journey of self-discovery.
A group of prisoners trapped in a crashed prison bus strive to stay alive when they realize there is a mysterious killer lurking in the shadows.
A young Congolese woman, forced to work in an illegal mineral mine, escapes her captors. She finds a new life for herself after joining a renowned all-women boxing club in the border city of Goma.
The practice of female genital mutilation is explored through personal stories of Kenyan women.
Mbambu is a sixteen-year-old girl who lives at the foot of the Rwenzori Mountains in Uganda. She is also an actress, an aspiring mountain guide and hopes to be the first in her family to complete secondary school. These are significant ambitions for anyone; in Uganda, they are nearly unheard of for a young girl. If Mbambu becomes a guide in the Rwenzoris - an impressive accomplishment in its own right because the mountains reach to nearly 17,000 feet - she would break all sorts of cultural and societal barriers for women in West Uganda. As this film tells the story of a hopeful Bakonzo girl, it also examines a culture transitioning from harmful poaching practices into more sustainable livelihoods.
The Democratic Republic of Congo could feed almost 1 in 2 people on Earth. Yet one in six Congolese people suffer from hunger. Yet one in two Congolese suffers from moderate acute malnutrition. Yet agriculture accounts for 70% of the population there. Faced with this paradox, the peasants regroup in agricultural cooperatives. A handful of them share their daily lives with us, that of all those they represent. Even if they don't know each other, live thousands of hundreds of kilometers from each other, participate in different agricultural sectors, their voices resonate in this powerful, sensitive and sincere documentary.
