Chosun Kinema

Based on the novel of the same title by Kwang-Soo Lee (Yi Kwang-su), published in 'Maeil Shinbo' in 1917. The plot is based on the relationship of three young people - English teacher Hyeong-sik Lee, dancer Young-chae Park and Hyun-soo Kim, the daughter of a wealthy presbyter. Left an orphan in early childhood, Hyeong-sik was brought up in the house of Master Park. From childhood, Park predicted his daughter Young-chae as Hyeong-sik's wife. Master Park was a patriot, and when the Japanese invaders came to power, he was illegally convicted and imprisoned. His daughter Young-chae became a kisaeng to earn money to send packages to the prison. At this time, Hyeong-sik and Young-chae are moving away from each other, and Hyun-soo appears in the life of Hyeong-sik, whom he fell in love with and is going to marry her.

Young peasant Seong-bo and his wife, unable to bear the poverty, leave for their hometown. After 20 years of hard work, you will be able to enjoy a more leisurely life. They had two sons. The eldest son, Cheol-su, resembled his father and was a hard worker, but his younger son, Cheol-min, was a playboy. Her mother, who was struggling with her younger son, dies, and her family begins to decline. The father leaves a letter to his two sons and sets out on a hopeless journey. The two sons are shocked and weeping, vowing to make a fresh start.

Na Woon-gyu plays the role of Nicolai Park, a veteran of the Russian army, who has returned to Korea from European battlefields. Broke, hungry, and unable to find employment, he is taken in as a boarder by Kim Chang-ho. Chang-ho's friend, Cha-duk becomes romantically involved with Hae-ok, who had sold herself to support her parents. Cha-duk's wife, Yeong-ja becomes involved with Nicolai, who rejects her proposal to run away with him. The romantic complications spiral until Yeong-ja kills Cha-duk. The film ends with Nicolai departing for destinations unknown while the other boarders bid him farewell.

A touching story about how, after a quarrel, the wife leaves home, and the husband is sad, watching the fish in the aquarium.

Pro-Japanese propaganda film to educate the people in Korea. The old man, convinced that "the expansion of production is the duty of the entire population," faints while alone carrying water to the family's rice field. At the request of the old man to spare no effort to expand production to help the emperor, the women gather together to carry water to the old man's field.

The heroine, a girl of marriageable age named Yu, married a thirteen-year-old fiancé, but he died three years later. Twenty years later, Yu adopts a child from a relative named Dong-gil. Dong-gil's siblings, wishing to inherit his legacy, spread rumors that Yu is having an affair with the village teacher.

The story is a melodrama concerning a young woman, played by Yun Bong-choon, who is abused by her stepmother and half-sister. After her stepmother expels her from her home, she stabs her stepmother.

The film concerns a student, Ch'oe Yeongjin, who has become mentally ill after being imprisoned and tortured by the Japanese for his involvement in the March 1, 1919 protest against the Japanese colonial rule.

A sad love story of a man and a woman who cannot meet freely because of the strict surveillance around her.

This action-oriented film tells the story of a traveling theatrical troupe. When one of the actresses is sold to criminals running an opium den, Woon-gyu Na's character rescues her and returns her to the troupe.

A young man called Field Mouse (Deuljwi) saves a young couple when the woman is forced to marry a rich gangster.

The violinist and the dancer fell in love. However, a man suddenly appears, with whom the dancer leaves, tempted by his wealth. A musician who has lost his beloved looks at life pessimistically and falls into despair.

The plot tells the story of how the female protagonist was a servant in the house of a rich man, and then was expelled after losing chastity, as well as how the male protagonist sold flowers after he was kicked out of the factory.

The film touches on the tragic impact of the traditional marriage system on young people.

This is a melodrama about the tragedy of two generations of father and son against the backdrop of Mount Hallasan on Jeju Island.