Dr. Jekyll and Mr. Hyde

Dr. Jekyll and Mr. Hyde 1912

5.80

Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.

1912

King Lear

King Lear 1916

4.40

Silent adaptation of Shakespeare's King Lear

1916

The Evidence of the Film

The Evidence of the Film 1913

6.10

A messenger boy is wrongfully accused of stealing bonds worth $20,000. Luckily, a film crew is shooting a moving picture on the same street. The boy's accuser has the police convinced, until...

1913

The Cry of the Children

The Cry of the Children 1912

5.30

An indictment of the evils of child labor, the film was controversial in its time for its use of actual footage of children employed in a working mill.

1912

The Cat's Paw

The Cat's Paw 1914

1

In this adventure the diplomatic free-lance and his brilliant aid in war, Nan Tremain, are again pitted against their relentless enemy, Pfaff.

1914

Cinderella

Cinderella 1911

6.40

Elaborately produced version of the well known George O. Nichols fairy tale interrupted by just a few summarizing intertitles, with Florence LaBadie and Harry Benham.

1911

The Woman in White

The Woman in White 1917

5.50

The lead Florence La Badie plays dual roles. Clever editing is used for the scene where her two characters meet. La Badie, however, does appear twice within a scene via superimposition, but that's in a flashback-within-a-mirror scene. There are a couple such scenes where La Badie's reflection in the mirror reflects her reflective melancholy mood.

1917

The Million Dollar Mystery

The Million Dollar Mystery 1914

1

This twenty-three episode serial told the story of a secret society called The Black Hundred and its attempts to gain control of a lost million dollars.

1914

The Pillory

The Pillory 1916

1

A young girl is kept ignorant of her mother by her aunt. After her aunt dies, the girl is used by crooks and arrested. In prison she meets a kindly woman, who is married to a judge. The woman, unbeknownst to the girl, is her mother, and adopts her. The companion of the deceased aunt, in the midst of a ball, denounces the mother and reveals her secret to the judge and guests. The judge will not forgive his wife, so the mother and daughter leave and work among the slums to benefit humanity. Eventually, the judge relents, and seeks his wife for forgiveness, but he is too late.

1916

The Coffin Ship

The Coffin Ship 1911

5.00

A love story filmed in Long Island Sound with a stowaway and a shipwreck.

1911

The Woman Who Did Not Care

The Woman Who Did Not Care 1913

1

A girl, beautiful but heartless and ambitious, was the daughter of a poor miner and was devotedly loved by a man in her own station of life. She accepted his attentions willingly until a young engineer came along and paid court to her. She then dismissed her first suitor. Her father made a lucky strike, and they moved to the city to enjoy their wealth. This sealed the fate of the second suitor for a rich man became smitten with the girl and she accepted his advances. Perhaps she would have married him in time had it not been that she aroused the enmity of an old witch, deeply skilled in magic.

1913

Little Dorrit

Little Dorrit 1913

1

A short adaption of the novel by Charles Dickens.

1913

Mary Lawson's Secret

Mary Lawson's Secret 1917

1

Mary Lawson, on the run from a false murder charge finds happiness in marriage to a simple man until the day a villain from her past emerges and threatens all she’s built.

1917

The Picture of Dorian Gray

The Picture of Dorian Gray 1915

1

The Thanhouser Company's two-reel adaptation of Oscar Wilde's eponymous novel. “The plot is unusual, and even though none of the familiar epigrams of the author find their way into the subtitles there is an artistic flavor to the production. Dorian's picture shows evidence in the passing years of his selfish, dissipated life, though his own countenance remains unchanged. Harris Gordon handles the leading role effectively, and Helen Fulton was pleasing as the ill-fated young actress who won Dorian's heart." - The Moving Picture World, July 31, 1915.

1915

The Marble Heart

The Marble Heart 1913

5.00

Outside the door of the home of a sculptor and his mother, fell a poor, friendless young girl. They took the girl in and cared for her, and as time went on the mother began to regard her as her daughter. The son regarded the affectionate advances of the girl with only brotherly love. But there came a time when the misgivings of the son changed, for he began to pay scant attentions to a young beauty he met at a reception and who was characterized as a woman with a heart "cold as marble." This piqued the beauty, who was accustomed to abject adulation. She determined to bring him to her feet and in this she succeeded. She offered to pose for him, and, spurred on by such a splendid model and her praises, he produced a figure which was acclaimed by all the critics as a masterpiece.

1913

Young Lochinvar

Young Lochinvar 1911

1

The “gallant young Lochinvar” and his stolen bride lead their pursuers on a merry chase

1911

Nicholas Nickleby

Nicholas Nickleby 1912

5.80

With The Old Curiosity Shop and David Copperfield, both released in 1911, and Nicholas Nickleby in 1912, Thanhouser established itself as producer of the best Dickens adaptations in American film.

1912

The Vicar of Wakefield

The Vicar of Wakefield 1917

5.00

The production vindicated the new feature-length movie format by restoring several characters, plot complications, and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.

1917

The Portrait of Lady Anne

The Portrait of Lady Anne 1912

5.80

The ghost of a selfish, inconsiderate woman must make up for her past transgressions by making sure that her descendant marries the man who is right for her.

1912