Sleutelwoord Servant

A chronicle of the lives of the aristocratic Crawley family and their servants in the post-Edwardian era—with great events in history having an effect on their lives and on the British social hierarchy.

Black Adder traces the deeply cynical and self-serving lineage of various Edmund Blackadders throughout British history, from the muck of the Middle Ages to the frontline of the First World War.

Jeeves and Wooster is a British comedy-drama series adapted by Clive Exton from P.G. Wodehouse's "Jeeves" stories. It aired on the ITV network from 1990 to 1993, starring Hugh Laurie as Bertie Wooster, a young gentleman with a "distinctive blend of airy nonchalance and refined gormlessness", and Stephen Fry as Jeeves, his improbably well-informed and talented valet. Wooster is a bachelor, a minor aristocrat and member of the idle rich. He and his friends, who are mainly members of The Drones Club, are extricated from all manner of societal misadventures by the indispensable valet, Jeeves. The stories are set in the United Kingdom and the United States in the 1930s.

Count Duckula is a vegetarian vampire duck, coming into the world as an accident. Unlike his family and ancestors, he has no bloodlust, as when he was reincarnated, blood was omitted and replaced with ketchup.

The Dong family of Jiangcheng is slaughtered overnight, and the family's daughter Dong Tingyao is forced to come to her fiancé Fang's house to seek help. In the Fang family, Dong Tingyao not only finds that her identity has been taken over, but also that the person she has to serve as a maid is Fang Tianyi, the famous Governor of Jiangcheng who killed her father. Dong Tingyao wants to take revenge, but she does not know that the culprit who brought the Dong family to its doom is her fiancé Fang Yuze who is Fang Tianyi's nephew. How can the young lady complete her revenge plan? How is she going to deal with the two men of Fang family? All the curtain thus unveiled.

Adaptation of PD James's bestselling homage to Pride and Prejudice. Elizabeth and Darcy, now six years married, are preparing for their annual ball when festivities are brought to an abrupt halt.

You Rang, M'Lord? is a British comedy series written by Jimmy Perry and David Croft, the creators of Dad's Army, It Ain't Half Hot Mum and Hi-de-Hi! It was broadcast between 1990 and 1993 on the BBC. The show was a comedy set in the house of an aristocratic family in the 1920s, contrasting the upper-class family and their servants in a house in London, along the same lines as the popular drama Upstairs, Downstairs. The series featured many actors who had also appeared in their earlier series, notably Paul Shane, Jeffrey Holland and Su Pollard, all of whom had previously been in Perry and Croft's holiday camp sitcom, Hi-de-Hi!. Also featured were Donald Hewlett and Michael Knowles from Perry and Croft's It Ain't Half Hot Mum, and Bill Pertwee and occasionally Frank Williams from Dad's Army. The memorable 1920s-style theme tune was sung by Bob Monkhouse.

Set in 1936, the show takes viewers, old and new, back to the lavish world of Belgravia, London. A new set of occupants reside at 165 Eaton Place and viewers see how external and internal influences of the tumultuous pre-war period shape and mould the lives of this wealthy family and their servants.‬

Believe Nothing is a British ITV sitcom starring Rik Mayall as Quadruple Professor Adonis Cnut, the cleverest man in Britain, and Oxford's leading moral philosopher. He is paid huge amounts of money for his views consulted by the government but he's bored and wants adventure so he joins the shadowy organization The Council which controls everything going on in the world. Starring alongside Mayall is Michael Maloney as Brian Albumen, Cnut's faithful servant, and Emily Bruni as Dr. Hannah Awkward who becomes professor of pedantics. The series was written by Maurice Gran and Laurence Marks, who give a twist to many of today's global issues. Although much hyped by ITV, who were hoping to repeat the success of Gran and Marks' previous project with Mayall, the successful The New Statesman, the series failed to catch on, and was dropped after one series.